In Rivers Solomon’s palms, a McMansion is simply as scary as a creaky previous Victorian.

Ezri Maxwell and their sisters fled the home they grew up in—a malevolent McMansion in a gated group the place the Maxwells have been the one Black residents—as quickly as they have been sufficiently old. Their mother and father stayed, and now they’re lifeless, seemingly in a murder-suicide. To lastly face the traumas of the previous, Ezri and their sisters should return to the nest. 

Mannequin Residence is a placing tackle a haunted home novel, and in its pages you make it clear that you realize the trope’s lineage properly. What are a few of your favourite haunted homes, and what drew you to the house-as-monster motif?
Having a favourite haunted home feels a bit like having a favourite serial killer—it’s laborious to carry one thing in any form of esteem when what offers it its cultural maintain is its diploma of terror. I got here first to the haunted home style, if it may be known as a style in its personal proper, by way of movie. Alejandro Amen&aacutebar’s The Others (2001) upset all my concepts about how we outline a haunting within the first place, and for that purpose was extraordinarily formative for me when dreaming up Mannequin Residence. 

I can also’t discuss Mannequin Residence with out discussing Toni Morrison’s Beloved. They don’t have a lot in widespread at first look moreover households surviving in, to make use of Morrison’s phrase, spiteful properties, however each books additionally take care of the USA itself as a form of specter, an entity that possesses. There’s a lot that can’t be exorcized, irrespective of how a lot we are going to it. 

Mannequin Residence is a really inner novel. Are you able to speak a bit about what it was like getting inside Ezri’s head?
Ezri has a particularly fractured, poorly realized identification. At many factors within the novel, it’s evident they don’t see themself as an individual or self in any respect. Nonetheless, they’re terribly observant and self-examining. Moving into Ezri’s head was a bit like writing a couple of topic the best way a scientist may, with a really eager, chilly, goal eye. I wrote Ezri the best way I’d write somebody filling out a lab report about themselves, making an attempt desperately to know one thing they by no means might.

One of many extra distinctive options of the prose in Mannequin Residence is the shortage of dialogue punctuation when Ezri is remembering a dialog, somewhat than actively participating in it within the current. Why did you select to make use of citation marks for conversations within the current however not prior to now?
Every little thing that occurs prior to now is occurring in Ezri’s reminiscence, which essentially has a dreamlike high quality to it. When writing, I goal as a lot as doable to make use of the instruments of language and prose to reflect numerous emotions and phenomena. The dearth of quotations within the recollections calls to consideration the haze and murkiness inherent within the act of remembering.

A story that includes a closely racist group might have (clearly) been set in plenty of locations. Why did you determine to set Mannequin Residence within the suburbs of Dallas?
I spent plenty of time as a child within the North Dallas suburbs, and it’ll at all times have a very intense maintain on my creativeness. Texas, generally, truly. It’s an odd place with unusual folks (although, after all, that may be mentioned of wherever). My mom and I used to go to homes on the market  in fancy gated communities similar to the one in Mannequin Residence, fantasizing about what life there can be like. There was a short-lived TV sequence set in Dallas known as Good Christian Bitches, primarily based on a memoir of the identical title. I’ve by no means seen the present or learn the guide, however I keep in mind once I heard that title and discovered it was about Dallas, I used to be like, oh, sure, completely, right.

Through the years, I’ve cherished seeing the breadth of locations the place your thoughts has taken readers—and the way strongly you’re capable of invoke these locations. How do you go about instilling that sense of place inside your work?
I used to be at all times that child who might get misplaced in a fantasy, and I haven’t outgrown that. I reside within the worlds I create in my head, go to sleep interested by them. It’s genuinely a pleasure. The realm of the imaginary, even when what I’m imagining is one thing terrible, is a refuge for me. It’s like actual life however extra. Or generally much less. However in simply the fitting methods I would like at a selected time. I prefer to suppose that by spending plenty of time in these fantasy worlds, I can pull out the small print that give a spot its uniqueness. I moved round rather a lot rising up. I’m at all times eager for locations I’ve been earlier than. So when writing about a spot, I ask, what would I miss about it have been I to depart it? 

I like the environmental contrasts that come up always in Mannequin Residence—from the warmth of Dallas versus the cool of the interiors to the distinction between Texas and the U.Okay. Why did you spotlight the intense contrasts of those environments?
Distinction makes issues simpler to see. The faux sterility of a new-build improvement seems sharper towards a crumbling previous Victorian. But in addition, I like place. It’s unusual how each metropolis, and each pocket inside a metropolis, has a taste and a historical past and a strangeness. It feels proper and proper to put in writing about it and draw out that uniqueness.

Emmanuelle, Ezri, Elijah, Eden, Eve—why the “E” names?
There’s nothing particular in regards to the letter “E” particularly—They used to have all “F” names in a earlier draft!—however I believed Eudora is likely to be the type of mother or father who would give all of her kids names with an analogous theme or sonic motif. Since she and her husband shared “E” names by coincidence, she selected the letter E for her offspring: Ezri, Emmanuelle and Eve. I feel the truth that Eve and Ezri stored up the custom exhibits the maintain their mom nonetheless has on them.

We primarily see the siblings’ father by way of Ezri’s eyes: a distant man who, whereas not significantly dangerous to their upbringing, definitely has his personal shortcomings. Do you suppose that Emmanuelle and Eve would have the identical issues to say about him?
I feel for all of the siblings, their mom was such a large pressure of their life that it doesn’t matter what form of father their dad was, he would’ve been overshadowed. 

Your work spans a number of media. Has working with totally different types—and video particularly—affected the way you strategy your writing?
I completely suppose by way of a multimedia lens once I write. By means of playwriting, I’ve discovered particularly how to consider our bodies in house, how they transfer, how they work together with the objects in a scene. And I at all times take into consideration every scene as if it have been in a movie. What’s being communicated by way of the actions of the characters? What does the house appear to be? What’s the geography of the room they’re in?

Picture of Rivers Solomon by Wasi Daniju.