Horror on the Stage: Monsters, Murders and Terrifying Moments in Theater was the winner within the EDUCATION class of the 2024 IndieReader Discovery Awards, the place undiscovered expertise meets individuals with the facility to make a distinction.
Following discover an interview with writer Amnon Kabatchnik.
Pricey Indie Reader Awards Committee, I’m deeply honored to simply accept the 2024 Indie Reader Award within the Training Class for “Horror on the Stage”. This recognition highlights essentially the most terrifying moments in theater historical past, shedding gentle on the facility of storytelling to evoke intense feelings and provoke thought. I prolong my heartfelt because of the committee for this honor, in addition to to my readers, publishers, and supporters who’ve been instrumental in bringing this work to fruition. Receiving this award evokes me to proceed exploring the profound influence of theater on our collective consciousness. Thanks for this esteemed recognition and in your dedication to celebrating impartial voices in literature. With honest gratitude, Amnon Kabatchnik Writer, “Horror on the Stage”
What’s the title of the e-book?
Horror on the Stage: Monsters, Murders and Terrifying Moments in Theater
What’s the e-book’s first line?
The primary unnerving second in theater historical past occurred when an Historic Greek viewers entered the Athens area for a manufacturing of Aeschylus’s Prometheus Sure (c. 480 BCE).
What’s the e-book about? Give us the “pitch”.
The e-book highlights essentially the most terrifying moments in theater historical past, from classical performs by Aeschylus and Euripides to the violence of the Grand Guignol productions in nineteenth century France.
What impressed you to put in writing the e-book? A specific individual? An occasion?
Over the last twelve years or so. I printed a collection of books below the title “Blood on the Stage: Milestone Performs of Homicide, Thriller, and Detection,” masking in every entry a plot synopsis, manufacturing information, the opinions of critics and students, and biographical sketches of the playwrights and key actors-directors. It was a brief step to maneuver to the style of horror.
What’s the primary cause somebody ought to actually learn this e-book?
“Horror on the Stage” ought to enchantment to theater college students, students, researchers, and people who are fascinated by the style of suspense, each in print and on the stage. Most of the entries needs to be investigated as a supply for a film or a tv collection.
When did you first resolve to turn into an writer?
All through my grownup life I’ve been concerned within the theater, directing performs Off-Broadway, on the street, in summer-stock, and overseas (Canada, Israel). I additionally wrote e-book and film opinions for a number of publications. It was a pure step to maneuver into writing books about performs.
How a lot time do you typically spend in your writing?
Excluding directing an Off-Broadway manufacturing, over the past twelve years I’ve written twelve books — engaged on them full-time, day and night time.
Would you go conventional if a writer got here calling? In that case, why?
Happily, I’ve discovered a number of small-press publishers who grew to become fascinated with publishing my books.
Is there one thing particularly that motivates you (fame? fortune?)
I do it not for fame or cash; these are really labors of affection.
Which author, residing or lifeless, do you most admire?
In my readings, I’m quaint. I nonetheless adore the detective novels of Conan Doyle, Ellery Queen, Agatha Christie, Rex Stout, and Dorothy L. Sayers. Among the many important stream authors — Oscar Wilde, Mark Twain, Robert Louis Stevenson, Jane Austen, Leo Tolstoy, Maxim Gorky, Graham Greene, Jean Anouilh, Isabel Allende, Ken Follett, Shirley Jackson, John Grisham, and Jeffrey Archer.
Which e-book do you would like you might have written?
Don Quixote by Niguel de Cervantes (1605).
